My practice is increasingly focussed upon bringing together the physical and ecological environment together with our social and cultural contexts. Using the media of multichannel sound installation; data-sonification and sonic-cartography these hybrid works are designed to create new forms of sonic space in which it is possible to experience, examine and reflect upon the complexities and consequences of our interactions in an increasingly chaotic world.
Songs from the UnderWorld was produced at the wonderful SCANZ festival and exhibited as part of the “3rd Nature” exhibition in the Fernery of Pukekura Park in New Plymouth, New Zealand.
A short video sample of the installation which has a x4 channel 90 minute soundscape.
Tree arising! O pure ascendance!
Orpheus Sings! Towering tree within the ear!
Everywhere stillness, yet in this abeyance:
seeds of change and new beginnings near.
Creatures of silence emerged from the clear
unfettered forest, from dens, from lairs.
Not from shyness, this silence of theirs;
nor from any hint of fear,
simply from listening. Brutal shriek and roar
dwindled in their hearts. Where stood a mere
hut to house the passions of the ear,
constructed of longing darkly drear,
haphazardly wrought from front to rear,
you built them a temple at listening’s core.
In a Cosmos of noise and static they say it is music that calms the savage beast. It is music and voice, fused into song that civilises us.
Orpheus the mythopoetic father of song sailed with Jason’s crew on the Argonaut and averted tragedy by outplaying the alluring song of the Sirens. And it was Orpheus who journeyed into the Underworld to reclaim his dead wife Euridice by charming Hades and Persephone with the song of his magical Lyre, asserting the power of love and music over death.
And it was Orpheus who as he regained the Upperworld looked back at his beloved in a moment of forgetfulness, loosing her forever.
But then there is Maui, a Maori cheater of death but that’s another story……….Songs from the Underworld remixes Rilke’s Sonnets of Orpheus with Maori song in a sound installation driven by environmental data.
- Sonus Maris; the concert!
- Sonus Maris_V2
- The Past is our Future; The Future is our Past.
- Freeze Frame
- Scribbly Gum Suites
- Virtual talking in 2020
- Sonus Maris
- The Oratorio for a Million Souls
- Two Islands
- The Deluge Ark(ive)
- A Dissimulation of Birds
- The Biological Mixer
- Heavy Metal
- CultCult – audio illumination from the Ocean
- BioLogging Retrofit
- BioPods_V2 The Nebuchadnezzar Suite
- Eine Kleine GeneMusiK
- Songs from the UnderWorld_v3
- Architecture for Bees; Bees for Architecture
- Breathless; Take a Deep Breath
- Public Art concepts
- Ars Memoriae Mexicana
- Float like a Butterfly; Sting like a Bee
- Supereste ut Pugnatis (Pugnatis) ut Supereste
- Songs from the UnderWorld_V2
- WYSSA – All my love darling
- Songs from the UnderWorld
- Milk and Honey
- Weeping Willow
- Bio_Logging and Under the IceCap
- New Host_V6
- Law of the Tongue
- New York Drawings
- Zephyr II
- Run Silent Run Deep
- Sculpture in the Vineyards
- WA Marine Facility ~ Ondes
- Quint de Loup II
- The Wireless House
- Talking Stick
- Syren for Port Jackson
- Factory Spirit.
- What Survives
- KellerRadioActive at IASKA
- Magnus Opus
- Preaching to the Converter
- Virtual Spirit
- AudioNomad + Syren
- An Unrequited Place
- Voyages from Eden to Utopia; Hercules
- The Transit of Venus
- A Symphony for Other Cultures
- The Lament
- Sonic Landscapes
- Siren Song
- Ship to Shore
- Re-Entry Vehicle; Natural Science in the Spirit World
- Naughty Apartment
- Mute in TalkTown; the sweet warm breath of science
- La Zona del Silencio
- Everything’s Nice with American Rice
- Silent Forest
- Dual-Nature (Ebb and Flow).
- Die Melodie der Welt; Bringing Home the Bacon
- Sample Content Of Radio Works as MP3
- Big Bell Beta