My approach to the sonic domain has always been informed by a Sculptor’s perspective, emphasising the experiential nature of sound that links sonic events to the dynamic, material events that produce them, as well as to the architectures and environments that contain and propagate them.
The current work “Interferences” (a.k.a. “Virtual Spirit”) would at the first encounter appear to disqualify itself from the definition of Sound-Sculpture by virtue of its apparent muteness. The principal function of the work, however is, to manifest an aura. A low energy electro-magnetic field, drawn from the atmosphere by the primitive antennae devices, flows through the coils that encircle the larvae. These crude technical devices resonate in an infinitesimal manner and thus in it’s own way sings.
One of our principal oversights is to demand that nature exists only by virtue of our own sense organs. Like infants we carelessly assume that events which we cannot perceive do not exist. What the ear fails to hear is therefore mute. My proposal runs contrary to this conventional wisdom by claiming this work as first and foremost a Sound-Sculpture in recognition of the resonance that inhabits these circuits.
These are Sound-Sculptures that (for us at least) are simply inaudible.
Exhibited.
Watch This Space, Alice Springs, 1996.
Materials.
Steel wrenches, Copper Antennae, Scientific Glassware, Grubs.
Dimensions
10m x 3m x 3m.
Recent Post
- Sonus Maris; the concert!
- Sonus Maris_V2
- The Past is our Future; The Future is our Past.
- Freeze Frame
- Scribbly Gum Suites
- Virtual talking in 2020
- The Sound of Place; Environmental Artworks at Bundanon.
- Co-Composition and De-Composition Biological agency as a compositional tool.
- Sonus Maris
- A Different Engine
- AudioNomad
- SPPS
- Oratorio Photo Essay
- The Oratorio for a Million Souls
- Two Islands
- LandFall
- The Deluge Ark(ive)
- A Dissimulation of Birds
- The Biological Mixer
- Landscape/Portrait
- Heavy Metal
- CultCult – audio illumination from the Ocean
- BioLogging Retrofit
- BioPods_V2 The Nebuchadnezzar Suite
- NomansLanding
- BioPod
- Eine Kleine GeneMusiK
- Songs from the UnderWorld_v3
- Architecture for Bees; Bees for Architecture
- Bristle
- Breathless; Take a Deep Breath
- Public Art concepts
- Ars Memoriae Mexicana
- Float like a Butterfly; Sting like a Bee
- Supereste ut Pugnatis (Pugnatis) ut Supereste
- Songs from the UnderWorld_V2
- WYSSA – All my love darling
- Songs from the UnderWorld
- BeeWork
- Milk and Honey
- EcoLocated: Art Science and the Environment.
- Weeping Willow
- VoxAura
- CrayVox
- Bio_Logging and Under the IceCap
- Radiolarians
- New Host_V6
- Law of the Tongue
- VoxAEther
- Padme
- New York Drawings
- Adrift
- EcoLocated
- Zephyr II
- BioSonics
- GhosTrain
- Run Silent Run Deep
- Sculpture in the Vineyards
- WA Marine Facility ~ Ondes
- AudioMaze
- Quint de Loup II
- The Wireless House
- Talking Stick
- Syren for Port Jackson
- Factory Spirit.
- Swarm
- What Survives
- Spinner
- Lotus
- KellerRadioActive at IASKA
- Magnus Opus
- Preaching to the Converter
- Virtual Spirit
- Models
- AudioNomad + Syren
- Theorem
- LifeBoat
- An Unrequited Place
- Voyages from Eden to Utopia; Hercules
- The Transit of Venus
- Toll
- A Symphony for Other Cultures
- The Lament
- Sonic Landscapes
- Siren Song
- Seed
- Ship to Shore
- Oracle
- Re-Entry Vehicle; Natural Science in the Spirit World
- Naughty Apartment
- Mute in TalkTown; the sweet warm breath of science
- Meta-Diva
- Metamorphoses
- Leaven
- La Zona del Silencio
- Host
- Gyro-Diva
- Haiku
- Everything’s Nice with American Rice
- Silent Forest