This essay by Nigel Helyer and John Potts listens to the sound of place: of Bundanon, a three thousand acre property in the Shoalhaven river valley in rural NSW, Australia. Bundanon is today an artists’ colony and education centre, following the gift to the Australian people in 1993 of the entire property—including homestead, artist studio […]
Read More →Co-Composition and De-Composition Biological agency as a compositional tool.
This paper examines a series of creative sound-works which combine human and biological agents to re-mix, create and re-invent musical scores. The central concept is to consider Genes, Memes and Musical notation as parallel mnemonic structures that function as instructions for the fleshing-out of life across temporal barriers. GeneMusiK and associated works Under the IceCap […]
Read More →Semi-Automatic Writing: An Opera for Human and Machine Voices.
Semi-Automatic Writing; an Opera for Human and Machine Voices. Debut ABC Radio National (1991). Nigel Helyer ~ Libretto, Direction, Sound Design and Production. Rhys Rees – Music. PDF of the Libretto.Semi-Automatic Writing; an Opera for Human and Machine Voices An ABC Radio National commission for the Listening Room. Original broadcast 1991. The Libretto. SFX Orchestra […]
Read More →Culturescape:An Ecology of Bundanon
A short speech written and spoken by Gary Warner at the invitation of the authors for the book launch of Culturescape: An Ecology of Bundanon by Nigel Helyer and John Potts, at the Australia Council, Pyrmont, Sydney, Thursday 30 January 2020. This edition is now available online at The Bundanon Trust site. At Bundanon: Spotting […]
Read More →Culturescape.
Where Science Meets Art – the CultureScape book. Finally the book detailing the four year When Science meets Art research project has been published. You can read a version of the Culturescape book here. The beautifully illustrated hardcopy version is available via the Bundanon Trust online shop.
Read More →
