Tag: sound sculpture
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Sonic-Cartography
Over the years I have had the pleasure of of collaborating with and contributing to the Art and Science international summer school conducted by Cultivamos Cultural in São Luís, Portugal. The summer school is hosted in an old farm house in a sleepy village, and whilst the creative research is focussed and serious the general…
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Freeze Frame; Cinema and the Afterlife.
Quelle est votre plus grand ambition dans la vie? Devenire immortel et puis mourir. Jean-Luc Godard, À bout de souffle 1960. Fictionalising fiction. As a thirteen-year-old lad, I along with a couple of friends, were once left to kick our heels for the day in central London —we were the crew in a sailing regatta…
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BioSphere/DataSphere
The BioSphere|DataSphere project acknowledges the deep, longstanding and ongoing connection of the Palawa and Pakana people to the wild, beautiful coast and sea country where the Tasman Fracture Marine Park is situated. Between 2021 and 2024 artist Nigel Helyer worked with an interdisciplinary and multi-agency, team of scientists researching the environmental productivity of the Tasman…
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The Past is our Future; The Future is our Past.
The exhibition The Past is our Future; The Future is our Past is the outcome of an Artist in Residence with the Broken Hill City Art Gallery undertaken during 2021 and 2022 (with several interruptions by Covid19). The project builds on my longstanding relationship with the mining boom town and its layered history. The project –…
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The Sound of Place; Environmental Artworks at Bundanon.
This essay by Nigel Helyer and John Potts listens to the sound of place: of Bundanon, a three thousand acre property in the Shoalhaven river valley in rural NSW, Australia. Bundanon is today an artists’ colony and education centre, following the gift to the Australian people in 1993 of the entire property—including homestead, artist studio…
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The Deluge Ark(ive)
The Deluge Ark(ive). The Deluge Ark(ive) exhibition comprises an exhibition, the launch of an Artist’s book and a performance event at the new Moonah Arts Centre in Hobart, Tasmania (16th November to the 16th December 2017). The project arose in a curious manner. Some three years ago I was engaged by Sabanci University in Istanbul…
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A Dissimulation of Birds
Our capacity to communicate, and more so our ability to sing is directly related to our intimate evolutionary relationship with the acoustic genius of birds. Our species has internalised and evolved the trills and warbles of birdsong to form language and music. A Dissimulation of Birds pays homage to the virtuosity of our feathered friends…
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CultCult – audio illumination from the Ocean
All of us have in our veins the exact same percentage of salt in our blood that exists in the ocean, and, therefore, we have salt in our blood, in our sweat, in our tears. We are tied to the ocean. And when we go back to the sea – whether it is to sail…
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BioPods_V2 The Nebuchadnezzar Suite
BioPods_V2; The Nebuchadnezzar Suite is the second contribution from the Where Science Meets Art ARC project to the Bundanon Trust SiteWorks programme. The thematic for Siteworks 2015 is Feral and the three Biomorphic sculptures can be considered as Biology turned feral as Sculpture or naturally Sculpure turned feral as Biology. The works on the…
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NomansLanding
Five international artists create the NomansLanding project; Robyn Backen (Australia) Andre Dekker (Netherlands) Graham Eatough (Scotland) Nigel Helyer (Australia) and Jennifer Turpin (Australia) and jointly developed by Sydney Harbour Foreshore Authority, Glasgow Life and Urbane Künste Germany, Nomanslanding made its debut at Darling Harbour in April 2015, and later featured at the Ruhrtrienniale 2015 in…