Imagine a child of the ‘jet-age’ living in an unobtrusive coastal village, mid-way between the dwelling of Blake, the artist, poet and visionary and that of his friend, the scientist and astronomer Halley. The child proceeds with eyes wide open to technics and ears tuned to poetics ……Read More →
2 + 2 =….. was delivered as part of the “SoundCulture96” conference to parallel the “Silent Forest” installation and “A Silent Forest” radio broadcast. As such the paper provides a brief overview of some of my general interests as a sound sculptor in a confluence of morphology, spatiality and technology. The text, which follows remains in its original presentation form (bad jokes included).
“Are the sounds issuing from (the instrumentation connected to) Stelarc’s body real, or not?”Read More →
The small Sussex fishing village in which I spent my childhood contained two significant buildings, significant not for their formal qualities, they were both simple cottages, but because one had been the home of Halley, the astronomer and the other the home of William Blake the poet. Without being conscious of the fact, I grew up in a cosmos in which the arts and science were intertwined, it has marked my endeavours ever since.
- The Sound of Place; Environmental Artworks at Bundanon.
- Co-Composition and De-Composition Biological agency as a compositional tool.
- Culturescape:An Ecology of Bundanon
- A Different Engine
- IceCap and GeneMusiK
- Oratorio Photo Essay
- Oratorio and Heavy Metal
- Walking, Thinking and Memory.
- Under the Icecap
- Teatro y Democracia
- Snap, Crackle and Pop; On listening, memory and amnesia
- Mexico Is Different
- Ars Electronica; Vitae Brevis
- A Night out in NokiaTown
- The Nomadic Ear
- Gran Tourismo
- AudioNomadism ~ a brief history of Sound in Public Space.
- Soundarts and the Living Dead
- Sonic Voyages
- 2 + 2 = A math primer for the hard of hearing.
- Prometheus Bound; Art, Science, Creativity and the Imagination.