Oratorio and Heavy MetalRead More →
Walking, Thinking and Memory | NIGEL HE…TTS | Walking Art – Walking Aesthetics.pdfRead More →
Under the IceCap. Dr. Nigel Llwyd William Helyer and Dr. Mary-Anne Lea Maquarie University & University of Tasmania Contact: Dr. Helyer https://www.sonicobjects.com Contact: Dr Mary-Anne Lea http://www.imas.utas.edu.au/people/profiles/current-staff/mary-anne-lea Abstract. Under the IceCap is one of a series of creative outcomes resulting from the Bio_Logging Art + Science project at the Institute for Marine and Antarctic […]Read More →
Act I. The Globe. It has been a standing joke for years now, each time I leave London I kick myself for again forgetting to visit the New Globe. Finally this inattention or amnesia has been remedied with the purchase of a five pound ticket for a standing place in the yard where I watched […]Read More →
Snap, Crackle and Pop; On listening, memory and amnesia. Your words are preserved in the tin foil and will come back upon the application of the instrument years after you are dead in exactly the same tone of voice you spoke in then…This tongueless, toothless instrument, without larynx or pharynx, dumb, voiceless matter, nevertheless mimics […]Read More →
This article originally appeared in RealTime Edition 83, Febuary/March 2008 and is reproduced here with the permission of the writer and RealTime http://www.realtimearts.net
“MÉXICO IS DIFFERENT LIKE A TRAVEL FOLDER SAYS.” THUS QUOTH THE IMMORTAL BARD, RY COODER. THROUGH THE LENS OF THE RECENT TRANSITIO_MX02 FESTIVAL OF ELECTRONIC ARTS & VIDEO YOU CAN SEE WHY. OVER A PLATE OF CHILES RELLENOS, DIRECTOR OF THE TRANSITIO_MX02 FESTIVAL GRACE QUINTANILLA RECOUNTS A STORY HER YOUNG SON TOLD HER, IT GOES SOMETHING LIKE THIS:Read More →
A Nomadic Ear treatmentRead More →
The Nomadic Ear.
Sonography, Cartography and the design of Sonic Narratives for Non-Linear Experience.
Preamble; getting immersed.
In discussing Immersive Environments we find ourselves at the mercy of a phalanx of aqueous meta-phors, saturated in an inescapable lexicon that engulfs our senses, saturating our frames in the fluid medium of sound. So be it; let us be carried away on the flood to be inundated in the ocean of sound. This text is concerned with concepts of spatiality, of location and the interactions of sounding bodies that articulate and activate the soundscape, how we as auditors experience the sonic domain and how we as authors compose and construct compelling immersive audioscapes.Read More →
- Bed-time reading
- Echo and Narcissus; and the contest for aural space.
- The Sound of Place; Environmental Artworks at Bundanon.
- Co-Composition and De-Composition Biological agency as a compositional tool.
- Culturescape:An Ecology of Bundanon
- A Different Engine
- IceCap and GeneMusiK
- Oratorio Photo Essay
- Oratorio and Heavy Metal
- Walking, Thinking and Memory.
- Under the Icecap
- Teatro y Democracia
- Snap, Crackle and Pop; On listening, memory and amnesia
- Mexico Is Different
- Ars Electronica; Vitae Brevis
- A Night out in NokiaTown
- The Nomadic Ear
- Gran Tourismo
- AudioNomadism ~ a brief history of Sound in Public Space.
- Soundarts and the Living Dead
- Sonic Voyages
- 2 + 2 = A math primer for the hard of hearing.
- Prometheus Bound; Art, Science, Creativity and the Imagination.