Bio_Logging is a collaboration between Artist Dr Nigel Helyer and Dr Mary-Ann Lea of the Institue for Marine and Antarctic Studies (University of Tasmania, Hobart) which seeks to link scientific bio-logging and GIS techniques with the Artist’s interests in interactive acoustic cartography and the development of Audio-Portraits which extend the conceptual and intuitive grasp of otherwise abstract data.
Kerguelen Islands
I’m a Nomad not a Drifter, being Adrift is of course a different kettle of fish, as it implies an active surrender to the vagaries of the elements, be they maritime or psychological ~ I usually go for both!
The Adrift project was conceived and realised for the Memory Flows exhibition at the CarriageWorks in Sydney and comprised of two sounding vessels. My trusty sea kayak “Siika” pressed into sonic-service, equipped with a “Solid-Drive” transducer...
M.A.R.I.N. made its debut at ISEA2009 Belfast in August 2009. This first expedition, the “Irish Sea EcoLocated Residency”, focused upon Littoral cultures: how marine ecologies close to human settlements are perceived by scientists and local communities, and how our art & science research team will introduce new cultural strategies to interlace them.
The MARIN vessel in Belfast harbour.
This first collaborative residency aboard the MARIN craft,...
Nigel has recently been an Artist in Residence at The Marine Mammal Laboratory (Tropical Marine Science Institute) of the National University of Singapore; developing a project for ISEA2008 exhibited at the National Museum of Singapore, July ~ August 2008.
Interactive audio cartography, driving a 12.2 immersive speaker rig.
Hydrophone location - Floating fish farm near Palau Ubin
Interface map
Catalogue Notes: The title is an ironic reference...
Listen to this space (well a space in Western Australia).
AudioMaze is an interactive project for the new exhibition space at the WA Blind and Guide-Dog AssociationA development of the “Talking Stick” project commissioned by the “Exploratorium” Museum of Science and Human Perception” in San Francisco, AudioMaze presents the sonic experience of an imagioned architectural space. Visitors may interact with the soundscape by using ‘sonic wands’.
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Quint de Loup II was exhibitied at the Tin Sheds Gallery, Faculty of Architecture, The University of Sydney ~ the show rounded up with a one day seminar on Sound, Art, Architecture and the Environment.
Here is my short presentation.
The download is a bit slow ~ but it’s worth the wait!
Fictionalising Fiction! ~ Nigel Helyer....
Attentive Listening is not something that many of us allow ourselves the time to do, dominated as we are by a constant flow of visual information, and so mindful of the demands of the clock.
But listening, rather than simply hearing, is an ever present gateway to hidden worlds of detail and narrative; always close at hand, always available, always possible, requiring only our time, attention and concentration.
Be not afeared; this isle is full of noises, Sounds and sweet...
Syren for Port Jackson has recently plied the waters of Sydney Harbour, delivering a unique location sensitive, immersive audio experience aboard the M.V. Regal.
The Syren project is part of the AudioNomad R+D project ~ a collaboration between the Artist Nigel Helyer and the Scientists Daniel Woo and Chris Rizos of the University of New South Wales.
The Regal approaching Darling Harbour.
‘Swarm’ is the latest development of a series of interactive ‘Theremin’ based sound sculptures (see ‘Ariel’, ‘Caliban’s Children’ and ‘Quint de Loup’). ‘Swarm’ is concieved to operate out-doors and is the first of the series to be solar powered ~ the work is installed in the Werribbe Mansion Park as part of the Herlen Lermpriere Sculpture Award.
Swarm 2005
stainless steel, acrylic, audio electronics, steel rigging cable
Footprint = 8,000 cm x 8,000 cm x 3,500 cm X10...
WHAT SURVIVES: SONIC RESIDUES IN BREATHING BUILDINGS
March 2006 at The Performance Space ~ Curator, Gail Priest.
Consisting of three major gallery-based sound installations and a program of commissioned works for two sound stations in the building, What Survives explores the real and imagined remnants of human presence in architecture.
The structures we build bear silent witness to human behaviour—what have the walls, beams and girders absorbed and what sonic secrets...