M.A.R.I.N. will make a debut at ISEA2009 Belfast in August 2009. This first expedition, the “Irish Sea EcoLocated Residency”, will focus on Littoral cultures: how marine ecologies close to human settlements are perceived by scientists and local communities, and how our art & science research team will introduce new cultural strategies to interlace them.

The MARIN vessel in Belfast harbour.

This first collaborative residency aboard the MARIN craft, entitled...

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Project Descriptor.
The principal metaphorical drivers in the conceptualization of the design are based upon C19 maritime technologies that relied upon harnessing the natural forces of wind and water, with sail, simple mechanical purchase and balance and ballast. “Zephyr” establishes strong links with the maritime and industrial history of the Geraldton site with the ancient technology of Æolian music to form a suite of passive, kinetic sound sculptures, that is...

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Interface map

Catalogue Notes: The title is an ironic reference to the motto of submarine captains in WWII who knew that the silence of their craft was the key to remaining undetected. In contrast this artwork is a whole-hearted embrace of the richly sonic world deep within the ocean. The artist will be bringing this auditory world to the surface in an immersive surround-sound experience, which will be located within the gallery.

Prior to the exhibition, the artist...

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A new work “Transformer” has been installed at the UnderCliff Vineyard in Wollembi alongside “Spinner” which remains in-situ from last year.

My approach to the sonic domain has always been informed by a Sculptor’s perspective which emphasises the experiential nature of sounds, linking them to the dynamic, material events that produce them and situating them within the environments that contain and propagate them.

“Transformer” would appear to disqualify itself...

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This commission for a new Marine facility at Henderson WA has recently been completed.  The work is comprised of three elements, a Video-projection work, a series of interactive biomorphic sculptures and an outdoor kinetic work, consisting of six counter-balanced needles which interact with the wind.

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Laser cut interactive units being installed.

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Stainless steel and Aluminium, wind sensitive sculpture with passive sonic...

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Syren for Port Jackson has recently plied the waters of Sydney Harbour, delivering a unique location sensitive, immersive audio experience aboard the M.V. Regal.

The Syren project is part of the AudioNomad R+D project ~ a collaboration between the Artist Nigel Helyer and the Scientists Daniel Woo and Chris Rizos of the University of New South Wales.

The Regal approaching Darling Harbour.

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Narrative treatments

Also...

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‘Swarm’ is the latest development of a series of interactive ‘Theremin’ based sound sculptures (see ‘Ariel’, ‘Caliban’s Children’ and ‘Quint de Loup’).  ‘Swarm’ is concieved to operate out-doors and is the first of the series to be solar powered ~ the work is installed in the Werribbe Mansion Park as part of the Herlen Lermpriere Sculpture Award.

Swarm 2005 stainless steel, acrylic, audio electronics, steel rigging cable

Footprint = 8,000 cm x 8,000 cm x 3,500 cm X10...

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Spinner was created for the McClelland Scuplture Park (near Melbourne, Victoria) as part of the Sculpture Award 2005.  It is currently installed as part of Sculpture in the Vineyards at Wollembi, New South Wales.

Spinner is a crystalline form with a symmetry of six and is designed as a passive kinetic work (i.e. it can be rolled on its axis).

The form is locked together by tension cables acting against a central compression tube, that also supports a hundred ‘fans’...

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“Lotus” is a recent commission for an environmental audio sculpture that is moored in the lake at ECU’s Joondalup campus.

Lotus on-site and talking poetry ~ November 2006

“Lotus” is a development of my previous solar powered environmental audio works and is directly based upon the functional components of “Haiku” but here deployed within a space-frame that acts as a floating sub-structure for deployment in the lake at Joondalup.  Floating the work is a...

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KelleRadioActive ~ IASKA (October ~ December 2005).

The history of broadcast media and communications technology have developed at an alarming pace over the last century and it is easy to forget the central role that radio has played in rural Australian communities, both as a form of entertainment and as a vital link.

The residency at The International Art Space Kellerberrin (Western Australia) developed a sound-sculpture project that investigates the history of...

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