TAG: Installation
Exhibited
W.I.N.D.O.W. Gallery, Sydney as part of SoundCulture 1991.
Materials.
Form ply exterior, Zinc speaker cone with audio system and x2 channel audio loop, Viewing ports with x5 military models and video screen.
Dimensions
Entire gallery interior, frontage access only.
Notes.
This small city storefront gallery was architecturally modified, replacing the normal viewing space with an auditory mechanism, which presented to the street, via the open mouth of an...
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Exhibited
Installation form ~ Art Gallery of New South Wales, Sydney, 1992.
Radio Broadcast component ~ 120 minutes Opera for ABC Radio.
Materials.
Perforated Zincalum, Steel, Wire rigging, Audio electronics.
Dimensions.
Each unit 2.5m x 2.5m (diameter).
Broadcast Structure.
Text generated with interactive text programme. Human Vocals with synthetic orchestration.
Duration.
120 minutes.
Notes.
Siren Song was exhibited at the State Gallery of New South Wales (Sydney)...
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Exhibited.
Arizona State University 2002.
Biennale of Electronic Arts Perth 2002.
Stanford University Gallery 2003.
Boutwell Draper Gallety, Sydney 2003.
Materials.
Timber, Carpet and Prayer Mats, Facsimile Landmine and Mine detectors, Audio electronics x16 channel, projection.
Dimensions.
19m x 10m x 4m.
Notes.
In English we speak of mines sown in fields or laid somewhat akin to an egg, or perhaps a cunningly laid trap. This is a domestic and agricultural lexicon whose...
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Exhibited.
Spectro Gallery, Newcastle-upon-Tyne, U.K. 1982.
Materials.
Section 1.
Circle: Pigmented sand; carbonised wood; pit fired earthenware vessels (x8) (35cm dia); carbonised grain; seabird skulls/bones; metal blades; Polaroid photograph.Section 2.
Canoe: Steel and Weldmesh framework; clay; straw; steel wire; glass and mirror fragments (x8); Polaroids and associated negative waste; strip lights 40w. (x8).
Section 3
Tents: Wood; bitumen paper; bitumen paint; steel...
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Exhibited.
RMIT project Gallery, Melbourne 2003 as part of “House of the Future”
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The Moores Building Fremantle as part of the Biennale of Electronic Arts Perth 2004.
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The Performance Space as part of “What Survives” 2006.
Medium.
Interactive Sound-Sculpture – plastics, metal and audio-electronics.
Notes ~ Fictionalising Fiction!.
In the beginning;
As a thirteen year old lad I was once left to kick my heels for the day in central London, along with a couple of...
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Exhibited.
The Performance Space, Sydney, 1990.
Materials .
Element #1: - Sax/Motor; Steel, Structural plywood, Flame manifold, Audio equipment.
Element #2: - Laboratory structures (x2); Aluminium, Glass, Bunsen burners, Honey, Gyroscope, Tuning fork, Projection lamps.
Element #3: - Top structures; Aluminium, Motors, Spinning tops, Power supply.
Dimensions.
Element #1: - 3.5m (dia) x 10m.
Element #2: - 2m x 0.5m x 0.3m.
Element #3: - 2m x 2m x 0.5m.
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...
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Exhibited.
Nine Dragon Head Festival, Lake Teachong, Korea 2001.
Helen Lempriere Sculpture Award, Melbourne 2002.
Materials.
Aluminium, Audio and Solar electronics.
Dimensions.
Footprint variable, each unit 0.5 m dia. x 3.5 m.
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Notes.
Meta-Diva is an environmental Sound Sculpture, designed for installation in a wetlands site. The work consists of a grouping of thirty individual units, each incorporating a solar powered digital audio ‘voice’ which...
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Exhibited.
Elizabeth Bay House, Sydney 1997.
Art Gallery of New South Wales 2000/1.
Materials.
Upholstery, Cast rubber, Aluminium, Audio electronics.
Dimensions.
Footprint variable x7 rooms.
Individual units 05.m ~ 2.5m
Notes.
Visit the Gallery
A singer who sings like a bird is an unproductive worker.
When she sells her song, she is a wage earner or a merchant.
But the same singer, employed by someone else to give
concerts and bring in money, is a productive...
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Exhibited.
The Palmhouse, Royal Botanical Gardens, Sydney 1999.
Materials.
Ceramic, Sourdough, Zinc, Timber, Audio electronics.
Dimensions.
Footprint 19m x 7m x 3m.
Notes.
A botanical garden puts down its roots towards Eden, a small part of paradise planted on ground with a fair claim to being Eden itself. The garden is in effect a confluence of nature and our interpretation and construction of nature. The garden also boasts a subtle array of means to coax, to nurture...
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Exhibited.
Metronom Gallery Barcelona 2003.
Auditori CAM, Alicante, 2003.
Stanford University Gallery 2003.
Ars Electronica 2007.
The Science Gallery, Trinity College Dublin 2011.
Materials.
X2 DVD projections, x100 Insect cages, x25 Laboratory stands, x200 Crickets.
Dimensions.
Footprint variable, individual units 2m x 2m x 2m.
Notes.
Host is an installation developed at the ‘SymbioticA’ Bio-Art and Technology Laboratory (University of Western Australia) in which...
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