For most of the Autumn of 2011 I was living in Cray fishing communities on the Houtman Abrohlos Islands which are situated some 60 ~ 100 km west of Geraldton in Western Australia. The Abrohlos are the southernmost coral islands in the world and are home to a unique fishing industry which is struggling with issues...
Weeping Willow is a twelve channel audio sculpture currently on exhibition in Istanbul as part of ISEA 2011 ~ and here is a link to my individual page.
The work is presented as an interactive audio sculpture in the form of a dinner table set with twelve Willow Pattern plates. Each plate is treated to show only a fragment of the original pattern, in such a manner that the entire set combines to form the complete image. In turn each plate is mounted on a Solid Drive...
Our blood has the same salinity as the Ocean, a reminder of the origin of all life on the planet and a warning that we share our well being with our vast and...
Bio_Logging is a collaboration between Artist Dr Nigel Helyer and Dr Mary-Ann Lea of the Institue for Marine and Antarctic Studies (University of Tasmania, Hobart) which seeks to link scientific bio-logging and GIS techniques with the Artist’s interests in interactive acoustic cartography and the development of Audio-Portraits which extend the conceptual and intuitive grasp of otherwise abstract data.
RadioLarians new public artwork for the Lake MacQuarie City Gallery, installed February 2011.
Radiolarians consists of two interlocked sculptures, laser cut in 6mm Corten steel. The forms, one cylindrical and the other toroidal have a strong morphological relationship to microscopic marine creatures, sharing symmetry with the structure of primitive Radiolaria, countless millions of which form the geological strata of this, the oldest continent.
Somewhat to my surprise Host has been going through manifold iterations. Ironically the work has now been show in various forms at six international venues but has never been exhibited in Australia ~ oh well, see what you have been missing!
There are technical details on the original Host page so here is a little story to accompany some new images of Host at the science Gallery of Trinity College Dublin, Eire as part of Visceral the 10th anniversary exhibition of the...
He who fights the monster should be careful lest he thereby becomes a monster. And if thou gaze long into an abyss, the abyss will gaze into thee.
Frederick Nietzsche, Beyond Good and Evil.
The Sea and superstition go hand in hand. For centuries sailors unwittingly sensing the song of the Whale through their wooden hulled ships thought them Ghosts of the deep and despite the thousands of close encounters in the Whale hunt...
VoxAEther has recently been on exhibition at the Gallery of Modern Art in Brisbane and as part of the Asian Art Biennale at the National Museum of Fine Arts, Taiwan. The work consists of four laser cut sculptural forms based upon the morphology and symmetry of microscopic Radiolaria, countless billions of which live in our oceans. At their nucleus each work contains Theremin electronics activated by the radial antennae that encircle the objects.
Views of the Padme Installation at MacQuarie University 2010.
Padme is a solar powered digital audio floating sculpture that is activated by wave motion and by water birds nudging the antennae-like motion sensing ‘whiskers’ that radiate from the work.
I’m a Nomad not a Drifter, being Adrift is of course a different kettle of fish, as it implies an active surrender to the vagaries of the elements, be they maritime or psychological ~ I usually go for both!
The Adrift project was conceived and realised for the Memory Flows exhibition at the CarriageWorks in Sydney and comprised of two sounding vessels. My trusty sea kayak “Siika” pressed into sonic-service, equipped with a “Solid-Drive” transducer...