M.A.R.I.N. will make a debut at ISEA2009 Belfast in August 2009. This first expedition, the “Irish Sea EcoLocated Residency”, will focus on Littoral cultures: how marine ecologies close to human settlements are perceived by scientists and local communities, and how our art & science research team will introduce new cultural strategies to interlace them.
The MARIN vessel in Belfast harbour.
This first collaborative residency aboard the MARIN craft, entitled...
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I’m a Nomad not a Drifter, being Adrift is of course a different kettle of fish, as it implies an active surrender to the vagaries of the elements, be they maritime or psychological ~ I usually go for both!
The Adrift project was conceived and realised for the Memory Flows exhibition at the CarriageWorks in Sydney and comprised of two sounding vessels. My trusty sea kayak “Siika” pressed into sonic-service, equipped with a “Solid-Drive” transducer that transformed the...
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Project Descriptor.
The principal metaphorical drivers in the conceptualization of the design are based upon C19 maritime technologies that relied upon harnessing the natural forces of wind and water, with sail, simple mechanical purchase and balance and ballast. “Zephyr” establishes strong links with the maritime and industrial history of the Geraldton site with the ancient technology of Æolian music to form a suite of passive, kinetic sound sculptures, that is...
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The rational and the fantastical: the morphology of Nigel Helyer, by Gail Priest 2008
Despite Star Trek’s propagandist efforts for space as the final frontier, the vast unknown can be found much closer to home in the form of the earth’s oceans. Occupying approximately 79% of the planet it is estimated that only 5% of the watery depths have yet been explored. With the threat of impending environmental disaster the drive to better understand the global ocean has...
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The first stage of the GhosTrain project will create a series of short Radio Broadcasts and a Podcast website focused upon the Redfern Locomotive & Eveliegh Carriage Works. The project will address the oral histories and acoustic ecologies of Industrial culture. The second stage develop this content into to a major sound-installation for TPS at The Carriage-works.
The work aims to create a series of ‘audio-portraits’ of the Redfern Locomotive & Eveliegh Carriage...
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Interface map
Catalogue Notes:
The title is an ironic reference to the motto of submarine captains in WWII who knew that the silence of their craft was the key to remaining undetected. In contrast this artwork is a whole-hearted embrace of the richly sonic world deep within the ocean. The artist will be bringing this auditory world to the surface in an immersive surround-sound experience, which will be located within the gallery.
Prior to the exhibition, the artist...
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A new work “Transformer” has been installed at the UnderCliff Vineyard in Wollembi alongside “Spinner” which remains in-situ from last year.
My approach to the sonic domain has always been informed by a Sculptor’s perspective which emphasises the experiential nature of sounds, linking them to the dynamic, material events that produce them and situating them within the environments that contain and propagate them.
“Transformer” would appear to disqualify itself...
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This commission for a new Marine facility at Henderson WA has recently been completed. The work is comprised of three elements, a Video-projection work, a series of interactive biomorphic sculptures and an outdoor kinetic work, consisting of six counter-balanced needles which interact with the wind.
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Laser cut interactive units being installed.
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Stainless steel and Aluminium, wind sensitive sculpture with passive sonic...
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Listen to this space (well a space in Western Australia).
AudioMaze is an interactive project for the new exhibition space at the WA Blind and Guide-Dog AssociationA development of the “Talking Stick” project commissioned by the “Exploratorium” Museum of Science and Human Perception” in San Francisco, AudioMaze presents the sonic experience of an imagioned architectural space. Visitors may interact with the soundscape by using ‘sonic wands’.
...
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Quint de Loup II was exhibitied at the Tin Sheds Gallery, Faculty of Architecture, The University of Sydney ~ the show rounded up with a one day seminar on Sound, Art, Architecture and the Environment.
Here is my short presentation.
AudioNomadism or a description in plain English of how to do very complicated things with location sensitive spatial audio
The download is a bit slow ~ but it’s worth the wait!
Fictionalising Fiction! ~ Nigel Helyer.
In the...
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